Africa, my Africa
Africa of proud warriors in ancestral savannahs
Africa of whom my grandmother sings
On the banks of the distant river
I have never known you
But your blood flows in my veins
Your beautiful black blood that irrigates the fields
The blood of your sweat
The sweat of your work
The work of your slavery
Africa, tell me Africa
Is this you, this back that is bent
This back that breaks
Under the weight of humiliation
This back trembling with red scars
And saying yes to the whip under the midday sun
But a grave voice answers me
Impetuous child that tree, young and strong
That tree over there
Splendidly alone amidst white and faded flowers
That is your Africa springing up anew
Springing up patiently, obstinately
Whose fruit bit by bit acquires
The bitter taste of liberty.
By David Diop
Thursday, May 28, 2009
Purpose of this blog
It’s the simple desire to type ‘Lenrie Peter’s – We have come home’ in Google, just as I did “Martin Luther King – I have a Dream’ and have at least two hyperlinks to the full version of the poem I fell in love with during my senior secondary days.
It’s the simple curiousity to find a read, fact-based and free of bias on why traces of palpable tribalism still linger in the hearts of my parents and their generation who fought and were fought against during the Nigerian Civil War.
It's the simple necessity to evolve from molten folk lores, Chinese whispers and paperback publications, to the diverse revolution of the Jet-Age.
Maybe it’s even a sudden wave and personal awakening to a true sense of patriotism (and perharps Pan-Africanism) at whose root lies genuine concern and a desire to preserve history in one simple way:
Documentation.
This work is dedicated to Professor (Mrs.) Aize Obayan, Miss Adebayo and Mr. Michael Odelola. Thank you for reproducing your passions for art in me.
It’s the simple curiousity to find a read, fact-based and free of bias on why traces of palpable tribalism still linger in the hearts of my parents and their generation who fought and were fought against during the Nigerian Civil War.
It's the simple necessity to evolve from molten folk lores, Chinese whispers and paperback publications, to the diverse revolution of the Jet-Age.
Maybe it’s even a sudden wave and personal awakening to a true sense of patriotism (and perharps Pan-Africanism) at whose root lies genuine concern and a desire to preserve history in one simple way:
Documentation.
This work is dedicated to Professor (Mrs.) Aize Obayan, Miss Adebayo and Mr. Michael Odelola. Thank you for reproducing your passions for art in me.
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